5th WARD

Perhaps iyv finally scavenged a capable bass playa in this useless city of orthodox bitches. this has some serious implications, first & foremost in th fusillade will be th 12”LP 5THWARD! this album will transmogrify free-form-frenzy with rigorous premeditated compositional complexity of a revolutionary standard underlining th whole “Precision Hysteria” stratagem ineffaceably. conceptually it will source sustenance from th notorious southern ghettos, specifically H-Town, South Park, 5thWard & Hiram Clarke, relayed through distorted samples of vintage H-Town rappers. historically, H-Town & it’s surrounding quarters produced some of the most distinct, devastatingly hardcore, Blacc dopeness before th whole G-Funk adulteration & commercial success (& subsequent creative flat-line) & conforming standard which dedifferentiated so much of th diversity & regional individualities that had been flourishing in Rap. this album will be a homage to that region at that time & th playurz that projected that brilliance such as Bone-Hard Big Mello, th underground master Willie Dee, psycho Ganksta N-I-P, black book flavoured ice-cream & milk K-Rino, 5thWard Boyz, 25-2-life, Choice, The Convicts Lord 3-2 & Big Mike, Pony J & Magic Mark P.K.O., Point Blank, Egypt & Dope-The Terrorists, Greek, Grim, Ghetto Boys, C-Lo, The Oak Cliff Assassin, Klondike Kat, Too Much Trouble, OG Style, Street Military, Crazy C, PSK 13, DMG, AC Chill & others from th Youngsta, Rap-A-Lot, Black Book International, SPC, Beatbox, Big Tyme launch pads!!! so Phosphorous-Funk, commensurate Free-Jazz hostility, Glyph-Hop, pristine Southern ghetto tautology & th inevitable scolopendric syd-wyndng carcuminal arachnoyd Riot-Gear Baku belabour ta smoulder ya dexxx! unparalleled hook th offs!!!!

< on th subject of Th Bloody Nickel, cult photographer Peter Beste has recently published a fantastic photographic book called Houston Rap, fixating on th rappers & region from present day to th vagrant days of early 90’s prime before th sonic & residential gentrification. get it! & check www.peterbeste.com >

CONVERSATIONS 1 & 2

Roscoe Mitchell – Conversations 1 (excerpts & odd-balls)

Here’s an mp3 taster of th new Roscoe Mitchell-conversations 1… a modern Avant-Garde classic that recalibrates th limits & possibilities of ergo wilderness phenomena.

Conversations part 2 & th DBL LP version of both will be owt in mid April.

Bollock Swine

Two new Bollock Swine videos!!! this tym borrowing th skitz n blitz uv our mad Slovak bollock-bruzzur Rado on blur-bass! beautiful bollocks & th fastest Noisegrind ever enacted! there are four other secretions, all completely bollocks to tha grayn stowed on audio & video. we’ll fyn sumthin’ interesting ta do wi’ em ^_-    more Bollock bollox at www.jigokuki.org/bollockswine

Bollock Swine & Pseudoku

Yih’ yih yih kidopsa!!! 2 peel a parmesan, an so – apparently th Mitchell-Taborn-Baku sessions were so bone-hard & copious in chaotic calamity that two, yiz, TWO fuckin CD’s are destined for expulsion ala nuits de la foundation maeght mothafukaz!!! Wide Hive Rekadz, mosugu, fissures in th thought process foranimous fulminate!

Here is further fission footage frum th Roscoe/Kikanju Oct 18th London gig with fellow assailants Kunoichi Kakokuna Kobura & Wasai! Devastating shamanic summoning’s & drastic divinizing deification fo ya.

My new 7”EP is owt, Bollock Swine <No-Skool-Noyzcore> & Pseudoku <Extra-Terrestrial Algebraic Space Grynd> on blu wax, Lo-Fi Or Die Rekadz. Peregrine paranormal prepotency preposterous profusionary, do yu dare??? www.jigokuki.org

Ok, jzt back frum LA recording with that singeing savant of serrated saxophonic stupefaction Roscoe Mitchell & original bad-arse arachnid Craig Taborn on Electronics/Piano/Synth, so expect ripples thru yur muscle fibres & marrow discolouration over this syd a’ th Atlantic frum th drokk waves once this hits mzrfkrz!!! Scheduled fa nex spring I believe on WideHive records www.widehive.com

DO-TON DEGUCHI!!!

A major outbreak of Fujo 浮遊 Frequency in video capsules so go gorge! emphatic apologies to th other participating musicians for excess drum volume, shit is filmed/recorded str8 frum my scalp with no phonic-equity & prohibited post play palliative/proportioning possibilities. All segments are derived from singular sessions in various rehearsal rooms using whatever we can scavenge. 100% improvyzed material thru-owt!!!